In space we truss

Description

LIGHT, REFLECTIONS, AND A TOUCH OF MAGIC
Place it near a window and enjoy the show. Both natural and artificial light create a dazzling glow, making the table appear alive from every angle. Its transparency tricks the eye and makes any space feel larger and brighter. Magic trick? No, just visual engineering that borders on sorcery.

SIZE, IN CASE YOU CARE
Height: 45 cm. Width: 120 cm. Depth: 35 cm. Big enough to make a statement, but compact enough not to hijack your space. Comes with an oval glass top with polished edges—because household accidents are not part of the design.

NOT MADE IN BULK, NOT EVEN CLOSE
No mass production, no soulless copies. Each “IN SPACE WE TRUSS” is numbered and signed by pyrography on the material (yes, fire and precision, like a modern ritual) and comes with a certificate of authenticity. If you were looking for exclusivity, you found it.

MATERIAL & CRAFTSMANSHIP (OR WHY IT’S WORTH IT)
Handcrafted using solar energy and made of 100% recyclable PMMA. Because being sustainable doesn’t mean giving up spectacular design. And like all handmade objects, it has its own character: small marks and slight variations in curvature aren’t flaws, but proof of its artisanal process. No robotic production here.

HOW TO TAKE CARE OF YOUR PRECIOUS PIECE OF ARTS
No need for a PhD in art conservation—just a soft cloth and some soapy water. No harsh chemicals or abrasive sponges, please. If you use it outdoors, protect it from extreme weather. And yes, its color may shift slightly depending on the light, because static things are boring.
Available in violet, blue, green, yellow, pink, and transparent. Because life needs more color and fewer personality-free pieces of furniture.
Make space for it in your life. You won’t regret it.

ETHICS & ECOLOGICAL CRISIS IN THE ANTHROPOCENE: OR HOW TO MAKE SOMETHING USEFUL OUT OF THE MESS
Yes, there are too many humans and too much plastic. No surprises there. But pretending it doesn’t exist won’t make it disappear. Our rPMMA/PMMA pieces embrace this reality—no sugarcoating, no greenwashing. If plastic has taken over, at least let’s make it look good.

This isn’t about naïve ecology or utopian dreams where everything is biodegradable and perfect. This is dark ecology—accepting that humanity has reshaped the planet in irreversible ways and now we have to deal with it, no filters. Plastic is here to stay, and instead of pretending otherwise, we turn it into something with cultural, artistic, and functional value.

Because when it isn’t recycled, plastic becomes an eternal relic—a fossil of our time, long before we even go extinct. Circular economy isn’t a trend; it’s a way of navigating this new reality, where the artificial and the natural can no longer be separated. We can’t erase what we’ve done, but we can decide what to do with it.